The compact and lightweight ARRI ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. Our kits include Gold Mount power box, CFast card reader, and camera cage with top handle. Contact us to customize an ARRI ALEXA Mini Kit for your next project!
ARRI ALEXA Mini Features:
Records ProRes or ARRI RAW in-camera on CFast cards
Up to 200 frames per second (ProRes)
4:3 Sensor
Automatic anamorphic de-squeeze
High dynamic range
Low noise
Quality and reliable ARRI is known for
Available with ARRI RAW and Anamorphic Licenses
Pairs beautiful with our Cooke Panchro/i Classic lenses, available in 21mm, 40mm, and 65mm macro.
Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. Used on countless commercials and big-budget features, the Alexa Mini quickly became the new industry standard. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. An ALEXA Mini can be operated in a number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an onboard monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. Offered with PL or EF mounts.
Call us for your next ARRI ALEXA MINI Rental, and let us customize a package catered to your project.
Recording Formats
ProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)
Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*
MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***
MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)